A Study of Post Modernist Parody in Guoman Films---Take One Hundred Thousand Cold Jokes as An Example

Lan Chao Huang

doi:10.30564/jler.v4i1.2664

A Study of Post Modernist Parody in Guoman Films---Take One Hundred Thousand Cold Jokes as An Example

Lan Chao Huang (Beijing University of Posts and telecommunications)

Article ID: 2664

DOI: https://doi.org/10.30564/jler.v4i1.2664

Abstract

Parody is the expression of postmodernism, which makes use of the similarity between texts to ridicule and parody the original classic texts. The creation method of parody makes the works have a brand-new character image and space-time experience, subverts and reconstructs the characters in the source text, makes the new characters abandon the constraints, and endows the characters with the independent spirit and comic effect. "100000 cold jokes" is a typical parody and collage animation. Even any picture and lens are created by the innovation of other classic text elements. This paper mainly takes "100000 cold jokes" as the main case of parody, focusing on the analysis of the performance of Parody in "100000 cold jokes", and explores the artistic characteristics of Parody in animation. Dialectically treat parody animation creation, praise positive and beneficial content, and identify vulgar parody animation. Finally, the conclusion is that parody animation works have artistic and cultural value, which can effectively enhance the vitality of the domestic animation industry and promote mass entertainment.

Keywords

Postmodernism; Parody; Animation; 100000 cold jokes

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